For the last few months, I’ve been hard at work with my friend Weijun Chen composing music for SGRA’s mobile game Dragonheir: Silent Gods!

The studio has been wonderful to work with,...

Coaching students often ask me how I use theory to navigate the many emotions that music needs to convey for effective storytelling.

Theory is a great way to discover new tools, but what theory ...

In 2021, I decided to really dig deeper into improving my orchestration and mock-up chops.

One of the most eye-opening moments for me was watching some of John Powell's Logic playthroughs, and...

A few weeks ago, I went back to my roots and made a Composing in Real Time video:

These are my favorite videos to make. I love sharing my process on-camera (mistakes and all),...

Here’s a tip that’ll change the way you score scenes forever.

When starting off composing for media, many composers start by matching on-screen emotions 1:1. If a character is...